“Some Unfinished Business is a powerful, moving, and page-turning examination of loyalty, betrayal, retribution and ultimately, love, written by an acclaimed author at the height of his powers.”
— Gary Barwin, Governor General’s- and Giller-shortlisted author of Yiddish for Pirates and Nothing the Same, Everything Haunted
Is love more compelling than justice? A wife pleads for love. Her husband longs for revenge.
Gripping and evocative, Some Unfinished Business tells the story of a young man who is determined to prevail through anti-Soviet resistance in occupied Lithuania, imprisonment in the Gulag, and the icy hands of bureaucracy that attempt to thwart his love for a woman with a mysterious past — all while chasing the back of the man who dared him to dream in the first place.
At fourteen, Martin Averka met a teacher from the city who inspired him to seek out the wide world beyond his small village of Lyn Lake. Years later, having lived under the tyranny of an autocratic system populated by cowards and bullies and seeking revenge, he breaks into the Pažaislis Monastery Asylum to confront face-to-face the man from his youth who betrayed his friends and colleagues a decade before.
“They say that history is written by the victor, but in this vivid and deeply empathetic novel, it is instead told by Martin, a one-time farmboy thrust into the dangerzone of the resistance as he searches for meaning and survival in difficult times. Antanas Sileika braids Martin’s remarkable story through the turbulent, ever-changing history of mid-20th century Lithuania as he confronts who he is, what he values and who he hopes to be. Some Unfinished Business is a powerful, moving, and page-turning examination of loyalty, betrayal, retribution and ultimately, love, written by an acclaimed author at the height of his powers.”
“Antanas Sileika is such an intelligent and compassionate writer. His latest novel Some Unfinished Business, evokes post World War II Lithuania, the land of lingering ghosts where the past poisons the future. A gripping story of shattering betrayals and fragile hope.”
“Set in the relentless, menacing atmosphere of a Soviet Socialist Republic, Antanas Sileika’s novel grabs you by the arm and never lets go until the last moment. The story of the two men at the heart of this tale is profoundly human and universal as are betrayal and survival.”
“Some Unfinished Business is a very readable example of historical fiction, with vivid characters and a compelling storyline. Sileika has combined history and fiction in a way that makes the events of mid-20th century Lithuania relevant and interesting, regardless of the current political situation in eastern Europe.”
“Šileika is no longer just a storyteller — although he has always been a master. In this book, he is a mature novelist, drawing us in to his world of well-researched knowledge and vivid imagination with succinct language, precise detail and insight.”
“In Some Unfinished Business, Antanas Sileika employs several effective strategies for creating suspense. . . . Some Unfinished Business largely resists easy answers. In addition to vividly portraying the everyday struggles of life under Soviet rule, it explores questions of complicity and innocence with nuance.”
Born nameless, in a rigid, autocratic society that has relegated all women to non-person status — Unmales — two women fight against their invisibility.
The disappearance of yet another Domestic means Cera must take on extra duties and tend the rooms of The Cratorling, the young successor to the autocracy. Face-to-face with him, Cera realizes he is her son, taken from her at birth. She vows to make herself known to him, no matter the cost.
Driven by a Machiavellian mind and ego, Tiresius has successfully hidden her Unmale status in plain sight for years. She rose through the ranks of the autocracy to reach the highest levels of government. She revels in the power she has attained, but her ruse makes her a gender criminal, which is an act punishable by death.
Both Cera and Tiresius are determined to achieve their goals, but, for better or worse, their actions begin to dismantle the framework and foundations of the autocracy itself.
Hopeful and cautionary, Autokrator reimagines gender and power in society against the backdrop of an epic, deeply etched, speculative world.
Am I pregnant?
This question shatters the peace of seventeen-year-old Brooke Palinder’s life one Monday morning when she realizes her period is late. Although shaken, she’s determined to hide her feelings and go about her daily routine as though nothing is wrong.
Brooke’s boyfriend Ryan handles the news poorly, and she can’t bring herself to confide in anyone else, not even her best friend.
In an effort to distract herself, Brooke throws herself into a school project about Neptune, which leads her to some startling discoveries and a surprising sense of connection to the distant planet.
But by Saturday, she knows she must face the answer to the question that began her week.
Standing on Neptune is a novel in verse from the celebrated author of Counting Back from Nine, The Glory Wind, and Birdspell.
“Sherrard enables readers to see how differently the two teens see their relationship and this situation that they may be in. She beautifully, succinctly captures Brooke's sense of loneliness and isolation, her uncertainty and fear, and both her desire to know and her dread of knowing. … This is an insightful, thought-provoking and perceptive novel, a brief but impactful exploration of the complexities of the human heart.”
Eleven-year-old Ruth’s friend and neighbor, Bea, has just died — an accidental drowning. Or so they say.
Ruth’s not so sure. Bea was sixty-four and knew the area better than anyone. She was much too careful to get swept away by the flooded Teeswater River. And now Bea’s godson, Saul, says his godmother had premonitions that she would be murdered. She even left behind a box of clues to help Ruth figure out what happened.
Accident or murder? That’s the case Ruth, Saul, and Ruth’s wayward pet chicken, Dorcas, have to crack.
“There are many elements of this fast-paced read to enjoy, including an easy-to-read writing style, subtle humour, clever observations, and identifiable, relatable child characters. Saul and Ruth are a good partnership, each having nicely drawn down-to-earth personalities. Similarly, personalities of local residents, some of whom are suspects, are captured deftly.” Highly Recommended.
“A poignant, laugh-out-loud funny, weird, and heartbreaking window into being bereft and being in love… a striking reminder that there can be beauty in devastation.” — EMILY AUSTIN, author of Everyone in This Room Will Someday Be Dead
A heartbreaking and darkly funny portrait of a woman unravelling in the wake of tragedy.
Sam is dead, which means that Elsie Jane has just lost the brilliant, sensitive man she planned to grow old with. The early days of grief are a fog of work and single parenting. Too restless to sleep, Elsie pores over Sam’s old love letters, paces her house, and bickers with the ghosts of Sam and her dead parents night after night. As the year unfolds, she develops an obsession with a local murder mystery, attends a series of disastrous internet dates in search of a “replacement soulmate,” and solicits a space-time wizard via Craigslist, convinced he will help her forge a path through the cosmos back to Sam.
Examining the ceaseless labour of motherhood, the stigma of death by drug poisoning, and the allure of magical thinking in the wake of tragedy, What Remains of Elsie Jane is a heart-splitting reminder that grief is born from the depths of love.
A RARE MACHINES BOOK
In this remarkably intimate portrait of grief, Chelsea Wakelyn deftly weaves comedy and tragedy in the wake of a marriage destroyed by drug poisoning. With a sure touch, Wakelyn dismantles the stereotypes of those affected by this too common issue. The narrator’s unique voice is at once relatable and unhinged, the powerful pulls of rage and love on full and magnificent display, bringing to life a fully realized humanity as only honestly drawn fiction can do.
This novel about death just pulses with life, with a force as compelling as the one that kept me turning the pages. I absolutely adored it.
Against a backdrop of the Harlem Renaissance and Haile Selassie’s Ethiopia, a young man tails Hubert Julian — a pilot, inventor, adventurer, charlatan, and possible threat to America.
Facing an attempted murder charge, seventeen-year-old Arthur Tormes is in no position to refuse when a federal agent named Riley Triggs offers him a deal: all charges get dropped and Arthur goes free if he agrees to help the Bureau with a problem.
That problem is Hubert Julian, a.k.a. the Black Eagle of Harlem: inventor, pilot, parachutist, daredevil, charlatan, and one of the most extraordinary and popular figures of the Harlem Renaissance. For Triggs, it’s the popularity that makes Julian a serious threat to the well-being of America.
To win his freedom, Arthur begins a spying mission that will occupy the next thirteen years of his life, taking him from 1920s New York City to Ethiopia on the verge of war — often at great personal cost. In the end, while America remains safe, Arthur Tormes’s fate is less certain.
Chasing the Black Eagle is a novel that juggles genres — spy, noir, coming-of-age, romance — with charm, wit and seemingly effortless grace. Neither self-serious nor sentimental, it's absolutely charged with lived-in authenticity for a little-known slice of 20th-century history. Don't let this one fly away: Geddes is a writer who makes history, invented or otherwise, feel as fresh as this morning, this very minute.
“An inspiring story of resilience, told with a vivid sense of character and humour.” —RICHARD CROUSE, CTV host and film critic
Film critic, writer, and broadcaster Thom Ernst chronicles his life growing up with an abusive father in rural Ontario.
The residents of Waubamik know about the Wild Boy, a somewhat feral child, standing nearly naked in a rusty playground of weeds and discarded metal, clutching a headless doll. They know the boy has been plucked from poverty and resettled into a middle-class family. But they don’t know that something worse awaits him there.
This is the story of a system that failed, a community that looked the other way, and a family that kept silent. It is also a record of the popular culture of the 1960s — a powerful set of myths that kept a boy comforted. But ultimately, The Wild Boy of Waubamik is a story of triumph, of a man who grew up to become a film critic and broadcaster despite his abusive childhood. It reminds us that life, even at its darkest, can surprise us with moments of joy and hope and dreams for the future.
An incredible read.… While unflinching in her analysis, Soderstrom nevertheless gifts us with a message of hope and resilience. — MAUDE BARLOW, activist and author of Still Hopeful: Lessons from a Lifetime of Activism.
What can we learn about coping with rising sea levels from ancient times?
The scenario we are facing is scary: within a few decades, sea levels around the world may well rise by a metre or more as glaciers and ice caps melt due to climate change. Large parts of our coastal cities will be flooded, the basic outline of our world will be changed, and torrential rains will present their own challenges. But this is not the first time that people have had to cope with threatening waters, because sea levels have been rising for thousands of years, ever since the end of the last Ice Age. Stories told by the Indigenous people in Australia and on the Pacific coast of North America, and those found in the Bible and the Epic of Gilgamesh, as well as Roman and Chinese histories all bear witness to just how traumatic these experiences were. The responses to these challenges varied: people adapted by building dikes, canals, and seawalls; by resorting to prayer or magic; and, very often, by moving out of the way of the rushing waters.
Against the Seas explores these stories as well as the various measures being taken today to combat rising waters, focusing on five regions: Indonesia, Shanghai, the Sundarbans of Bangladesh, the Salish Sea, and the estuary of the St. Lawrence River. What happened in the past and what is being tried today may help us in the future and, if nothing else, give us hope that we will survive.
Muscle sinew bone.
Luke Tremblett is one of five fishermen lost at sea off the coast of Newfoundland. Rose is left to pick up the pieces and learn to live with his sudden absence. And then there are three children, including two-month-old Emily, struggling to face an unbearable loss that has engulfed them.This sharp, hard-edged novel begins two years after Luke’s disappearance, at the moment that Rose takes her first step through the wall of the house Luke was building when he died. Her body vibrating, she enters a space where Luke waits for her.
Part novel, part fable, part essay on grief, with interlocking scenes that move between past and present and visuals that punctuate the narrative like signposts, This Is the House that Luke Built deftly explores existential questions about what it means to be alive.
A strikingly original debut which combines compassion and bravura to dazzling effect, this new novel by Violet Browne heralds the arrival of a significant new voice.
Violet Browne is a writer from Placentia, NL. She holds an MA in Creative Writing from Memorial University in St. John’s, where she now lives. This Is the House that Luke Built is her debut novel.
What does it mean to be exiled? For the landmarks of your past to disappear?
In 1943, Wanda Gizmunt was ripped from her family home in Poland and deported to a forced labour camp in Nazi Germany. At the end of the war, she became one of millions of displaced Europeans awaiting resettlement.
Unwilling to return to then-Soviet-occupied Poland, Wanda became one of 100 young Polish women brought to Canada in 1947 to address a labour shortage at a Québec textile mill. But rather than arriving to long-awaited freedom, the women found themselves captives to their Canadian employer. Their treatment eventually became a national controversy, prompting scrutiny of Canada’s utilitarian immigration policy.
Wanda seized the opportunity to leave the mill in the midst of a strike in 1948. She never looked back, but she remained silent about her wartime experience. Only after her death did her daughter-in-law assemble the pieces of Wanda’s life in Poland, Nazi Germany, and finally, Canada. In this masterful account of a hidden episode of history, Faubert chronicles the tragedy of exile and the meaning of silence for those whose traumas were never fully recognized.
Marsha Faubert is a lawyer with a lengthy history of public service in Ontario. She was a finalist for the Penguin Random House Canada Prize for Nonfiction for the book proposal that would become Wanda's War.