9781927599402HardcoverFICTION / GeneralPublication Date: November 05, 2018
$29.95 CAD7 x 10.25 x 0.7 in | 122 pagesCarton Quantity: 15Canadian Rights: YDC Books
Sasquatch and the Green Sash is at once a translation and adaptation of the medieval English poem Sir Gwain and the Green Knight, from a time when parts of English culture were closer to Old Norse roots. Novelist Henderson has chosen to Canadianize the original, setting it among the Dene of Nahanni National Park in the NWT. This new setting is darker, colder, and sub—arctic with the 'ominous green and violet and pink of Aurora Borealis," and the additional dimension of the ancint Green Man's origins as Al Khidr, vizier of Alexander the Great.
Keith Henderson, based in Montreal, is a publisher, novelist, and former politician.
9781927599457PaperbackPublication Date: April 17, 2018
$21.95 CAD5.5 x 8.5 x 0.5 in | 192 pagesCarton Quantity: 40Canadian Rights: YDC Books
A woman wins a fabulous lottery; a frustrated middle-age man waits for his wealthy father to die; an unemployed father and widower struggles to earn a living wage; an older man of means has an affair with a much younger woman; a privileged but harassed
suburban woman and a homeless man meet in a subway station: each story, built upon familiar motifs, leads into the core of the characters? sense of who they are. The narrative drama arises from what they face and how they live during their present circumstances. For the readers, the stories transform the ordinary, which many have felt themselves, into a new dimension of
9781927599440PaperbackPOETRY / GeneralPublication Date: November 22, 2017
$18.95 CAD5 x 8 x 0.25 in | 94 pagesCarton Quantity: 80Canadian Rights: YDC Books
Excitement Tax uses a series of tonally various prose sonnets to trace the deeply uneasy relationship of a grown-up person and his imaginary friend, Walter Weaselbird. The pair crash through thickets of erudition in search of candy. Often they find candy. �
JOHN EMIL VINCENT is a Montreal-based poet, editor, and archivist. He’s taught literature, queer theory, and poetry writing at Concordia and Queen’s in Canada and at Wesleyan, Haverford, and University of Miami in the US. He and his partner, Luis Loya Garcia, emigrated to Montreal in 2010 to get married and escape anti-immigrant laws and sentiment in the US.Vincent earned his BA in Religion and Literary Studies (French) from Williams College where he worked with Louise Glück. We went on to earn an MFA from Warren Wilson College (in North Carolina) where he worked with Heather McHugh and Larry Levis among others. Toward the end of his MFA he started his PhD in English across the state at Duke University where he studied under Eve Kosofsky Sedgwick and Michael Moon. He was among the earliest cohort to graduate specializing in Queer Theory. While at Duke he published an essay on Swinburne and whipping in Eve’s collection Novel Gazing and co-authored an article on Latinamericanism and My Own Private Idaho with José Estaban Muñoz.He recently earned his Masters Degree in Library Science (Archives) from Simmons College (in Boston). He has worked doing preservation work for John Ashbery in his home in Hudson, New York, and has worked helping organize James Tate’s papers and books after his recent death.He served as Editor-at-Large for the Massachusetts Review, where he edited a double 'especially queer issue' packed with queer literary luminaries and a special issue celebrating the 50th anniversary of the UMass-Amherst Program for Poets and Writers. He’s served as poetry editor for the now-defunct Swink magazine and issue editor for tinywords (a web-based haiku journal).He has published poems in jubilat, Denver Quarterly, BlazeVOX, Slope, Spork, failbetter, Drunkenboat, and many other journals. A number of his poems appeared in an anthology of new gay poets, entitled This New Breed, edited by Rudy Kikel (Windstorm Creative 2003).He recently published a chapbookCheshirization-- containing 9 poems from 'Excitement Tax' with Factory Hollow Press.�
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“In Excitement Tax, John Emil Vincent has written a collection of prose poems with complex skeletons, each phrase connected to its context. He manages tone shifts precisely. Poems follow through on such premises as inventing an instrument “inspired by my daycare choir, that sort of presses, almost steps on, children,” dialogue between Walter Wimple Weaselbird (one of the book’s characters) and Socrates, and a child who “never wanted to rehear a single story.”“King Midas’s Idiot Brother” takes King Midas out of his fairy tale and imagines him doing a kind of alt-comedy routine in which “he’d pose as the suicides of famous writers and the audience would guess how.” But a familiar reality creeps in, the narrator notes that “relevance is a bitch,” and King Midas must do a bit about Carver instead of Chekhov. Even in such fantastic ideation, we can be dulled down, taxed. This poem ends with an invitation that carries throughout: “Behold the life of the mind."
9781927599204PaperbackFICTION / GeneralPublication Date: April 17, 2017
$19.95 CAD5.5 x 8.5 x 0.4 in | 150 pagesCarton Quantity: 50Canadian Rights: YDC Books
Dispirited by his performance review, Will Gough sets out to redeem himself by updating his company's quality control procedures, while casting a hopeful eye toward other career opportunities. Despite his best intentions, his work troubles follow him home——to his wife and two sons, where empty yogurt containers are half—sacred, technology a source of childhood wonder, and the business of the world bumps against the quiet walls that protect the rhythms of family life. It's difficult to pull off a portrait of a nice guy in ordinary circumstances, going through the stress of daily living and tensions surrounding job and career opportunities, and he does it very well in simple, understated prose. No sensationalism or alien beings or suicidal desperation or academic angst or terrorist attacks or other assorted rampages and violations: just a life without earthshaking incident, but subtly humourous and convincing.
Tom Abray grew up near Strathroy, Ontario, and then moved to Montreal to study English at McGill University. After completing his M.A. in creative writing at Concordia University he began teaching at John Abbott College. His collection of short stories, Pollen (DC Books, 2011), was shortlisted for the Concordia University First Book Prize, as well as the Paragraphe Hugh MacLennan Prize for Fiction. He also written and directed a number of short films that have screened at festivals in North America and Europe.
9781927599358PaperbackFICTION / GeneralPublication Date: December 09, 2015
$18.95 CAD5.5 x 8.5 x 0.4 in | 148 pagesCarton Quantity: 50Canadian Rights: YDC Books
How does a man or an artist express his deepest grief at what he has lost? How does he express his desperate disappointment at living? For a man, an artist, such as the reclusive G. Brandon Sisnett, it is by writing stories of death, decay, and resurrection such as these. At first, these pages seem a random collection of stories, fragments, and miscellany, some previously published, many not; some long, others very oddly brief; some linked by obvious preoccupation with death, whereas others could not be farther apart in tone or content. Occasionally, scenes are echoed in other stories, but with slightly different outcomes. Inexplicably, a number of characters are based on those of other authors. And what of the recurrence of the word "Fairfield" either as city, state of mind, person, or idea? Is Fairfield the surname of an English doctor who treated Sisnett's daughter before she died? The name of an obscure hospital in Botswana? Or perhaps the strange presage of Elysium?
Robert Edison Sandiford (born 1968) is a Canadian novelist, short story writer and essayist. Born in Montreal, Quebec. In 2003, his short story "Reckoning" was awarded the Barbados Governor General's Award for Literary Excellence.