Introduction by :Lisa Moore
Imprint:A List - Toronto
Dimensions:8.5in x 5.5 x 0.5 in | 0.79 lb
Page Count:272 pages
Originally published in 1971,The Bush Garden features Northrop Frye’s timeless essays on Canadian literature and painting, and an introduction by bestselling author Lisa Moore.
In this cogent collection of essays written between 1943 and 1969, formidable literary critic and theorist Northrop Frye explores the Canadian imagination through the lens of the country’s artistic output: prose, poetry, and paintings. Frye offers insightful commentary on the works that shaped a “Canadian sensibility,” and includes a comprehensive survey of the landscape of Canadian poetry throughout the 1950s, including astute criticism of the work of E. J. Pratt, Robert Service, Irving Layton, and many others.
Written with clarity and precision,The Bush Garden is a significant cache of literary criticism that traces a pivotal moment in the country’s cultural history and the evolution of Frye’s thinking at various stages of his career. These essays are evidence of Frye’s brilliance, and cemented his reputation as Canada’s — and the world’s — foremost literary critic.
LISA MOORE is the acclaimed author of the novels Caught, February, and Alligator; the story collections Open and Something for Everyone; and the young-adult novel Flannery. Her books have won the Commonwealth Writers’ Prize and CBC’s Canada Reads, been finalists for the Writers’ Trust Fiction Prize and the Scotiabank Giller Prize, and been longlisted for the Man Booker Prize. Moore is also the co-librettist, along with Laura Kaminsky, of the opera February, based on her novel of the same name. She lives in St. John’s, Newfoundland.
Any publication by Northrop Frye is an important literary event; this one is of the highest importance to Canadian literature. Here Frye has collected all the essays he believes to be of permanent value on Canadian writing and painting. His tremendous intelligence and erudition is thus focused on a much smaller field of vision than it normally is. Tethered in its own backyard, as it were, this formidable creature can be observed more closely than it can be when it roams the far reaches of the literary world. - Globe and Mail
Frye’s handiwork is equivalent to most everyone’s masterwork. Nor can I imagine a more perceptive book being written about the Canadian poetic imagination. Northrop Frye resembles nobody so much as a poet Midas — everything he touches turns into poetic metaphor. - Toronto Star
These reviews are still relevant, partly because Frye is such a good critic and partly because his reviews embraced such a wide range of poetry that, perhaps especially in retrospect, they provide a fascinating sense of process through which a literature develops . . . We can respond to the immediate perceptions of a subtle and literate critical mind. - Maclean’s
Perhaps the most remarkable thing about The Bush Garden is that it reveals Northrop Frye as a practical critic. He does not try to fit everything he reads into preconceived theories, and the range of his sympathies is admirably wide. And he succeeds in demonstrating the importance for Canadian writers of their Canadian forebears. - CBC Anthology
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