Imprint:Biblioasis - Windsor
Dimensions:8.25in x 5.25 x 0.5 in | 35 lb
Page Count:288 pages
Finding Again the World brings together a dozen of the best stories by John Metcalf, a modern master of the form. Spanning more than fifty years and ranging from some of his earliest published stories, such as “Dandelions” and “The Eastmill Reception Centre,” to his latest, with “Ceazer Salad” and “The Museum at the End of the World,” this current gathering shows a writer whose voice, at every stage of his career, is unmistakeable. These are elegant and brilliantly charged fictions, entertaining and moving and mischievous: taking the dross and straw of everyday life and transforming it, through some sort of alchemical process of sensibility, into art.
With an introduction by Keath Fraser, Finding Again the World is a landmark collection, a sumptuous gathering of singular work: these are stories that will last.
John Metcalf has been one of the leading editors in Canada for more than five decades, editing more than 200 books over this time, including 18 volumes of the Best Canadian Stories series. He is also the author of more than a dozen works of fiction and nonfiction, including Vital Signs: Collected Novellas, An Aesthetic Underground: A Literary Memoir, Shut Up He Explained, The Canadian Short Story, and The Museum at the End of the World. Senior Fiction Editor at Biblioasis, he lives in Ottawa.
Praise for Finding Again the World
“Masterful...Harsh reality, hope, and caricature mingle in this tour de force. As Metcalf says in his previous book, "Writing is very hard work but at the same time it is delightful play." An exceptional collection.” —Kirkus Reviews (starred review)
“A delight to read...[Metcalf] submerges the reader completely into the universe of his writing...Every character is deeply authentic and each setting is described with striking imagery. Metcalf’s writing is impossible to forget and his stories will feel as if they’ve become a part of you—or rather, as if you have become a part of them...Metcalf is a crucial figure to Canadian writing and the Canadian community as a whole.” —The Charlatan